Everything is Mid
You are writing a short story provisionally entitled Everything is Mid.
You know that in doing so you are, to an extent, making yourself a hostage to fortune. All too easy, after all, for the reader to to read it, snort derisively and say "yeah, including this!" They may do this even if they quite enjoy the story because punchlines have an allure which transcends lived experience, which is why so many people say things they don't mean. This explains the existence of opinion columnists.
You are a little uneasy about the usage of the term mid. It's a word which sits more comfortably in the vocabulary of people slightly younger than yourself, your sons would tease you for using it. But it is the most accurate word for what you're trying to say. Language changes, it is malleable, and you've long felt that the best word for the job is the only word for the job.
You're writing this story sat at your kitchen table, and you're writing it because you went for dinner at a restaurant which was quite expensive but not, to your mind, particularly good. You went there because lots of people said it was good. You wonder why you keep doing it.
Do you remember that study from a while ago which found that people are wrong about pretty much everything? Immigration, climate change, what politicians earn, how many people in the country are Muslim, what Government spends money on. Everything. Not a clue, not even playing the same sport.
So why would you take their advice about where to eat?
The company was good, you were out with your wife, and she was saying perceptive and thoughtful things on a number of topics. The ambience was pleasant enough, but the whole experience left you feeling underwhelmed, even a little bit irritated.
You are annoyed at the people who thought it was good, and took the trouble to say so, publicly. Why are they so easily pleased? Why do they greatly praise an experience which is average at best?
(You had considered titling the story "Why are people so easily pleased?", but you prefer "Everything is mid", it's punchier)
As you ate, you grew more irritated. The menu was pretty lazy, lots of similar dishes to everywhere else, but that was no surprise, and it's the execution that matters, you told yourself as you booked.
And it was okay, everything was fine. It wasn't bad, it was just...mid. And with every mid mouthful of mid food, from a mid menu and cooked in a decidedly mid fashion you wondered, as you so often do, why so many people settle for this, in so many ways.
Why do we submit to mediocrity? Not just submit, revel in it? Hundreds of people left glowing reviews of this...nothingness, this oblivion. This void where something memorable should be.
It doesn't take much to turn a mid meal into a good one, you should know, you do it for a living. A little care, a little attention and the most humble, workaday dish, a cottage pie, or a steak, a bowl of cauliflower cheese, can be something that sticks in the mind. Oh God, yeah, that was good.
You would have preferred a bad meal, that would be something to talk about.
And as you sit at your table you feel yourself getting annoyed, all over again, and you wonder why you're like this. Why you can't regard an okay steak as a pinnacle of the chef's art. Why you don't see the point of superhero films, why you were mystified when suddenly everyone went mad for jacket potatoes from the internet, why so many people seem so happy to settle for mid.
Retail parks are mid. Sainsburys Meal Deals are mid. Mid life angst is mid. Affairs are mid.
Mid is a great word. Back in the nineties, we used to say meh. But mid is better, chunkier, more forceful, more precisely damning. And everything is mid. The world is on fire and everything is mid. The people in charge are thieves, liars and rapists and everything is mid You are angry. You wonder why more people aren't angry, and you think, maybe it's because they're happy with mid.
Obviously the problem is you, it always has been. But still.
You remember being a child, and going on holiday to Morocco, being fascinated and enchanted by the heat, the noise, the difference, the sheer alienness of it all. And going back to the hotel and your family being befriended by a man who'd brought his own snooker cue with him, and who was excited because there would be a Full English for breakfast tomorrow.
"Getting more and more like England all the time" he'd said. And you didn't understand the look on your Mum's face at the time, because you, too, were quite excited by the prospect of a Full English. But now you do.
You remember being brought up, with high expectations and falling short, despite doing your best. You place similar expectations upon yourself to this day, you always fall short.
You are, by any reasonable metric, a failure.
But nevertheless, you're not going to settle for mid.
Trying is the point, you think. Failing, yes. That Beckett quote, fail better. You've never got a tattoo, but if you did, it would be that.
So you open up your laptop, and you start writing a short story entitled "Everything is mid". Hopefully it won't be.